Remembering great singer , a maestro vocalist par excellence

I was going through the profit and loss accounts of 2011 and the most vital lossto the nation  was that of the maestro Bhimsen joshi, the more than great kannadiga born vocalist . Made literally a household name after his “Mile sur mera tumara”,  Panditji has sang prodigiously for Hindustani music. Where I go to buy my cassettes  there are rows and rows of panditji’s cassettes on every conceivable raga. Belonging to kirana Gharana, this student of Savai Gandharva Maharaj  was beloved of the music aficionado. As a child, music had such a magnetic pull over him that a 'bhajan singing' procession or just 'azaan' from a nearby mosque was said to draw him out of house.  In 1933 When  11-year-old Joshi left Dharwad for Bijapur to find a master. Recognizing an early urge for the love of music he ran off to Gwalior in search of a Guru to  learn under. In his quest to finding his true vocation he did various chores like singing Bhajans to fellow passengers and to the ticket collector to pay his travel money to Gwalior.

                       Bhimsen's guru Sawai Gandharva was the chief disciple of Abdul Karim Khan, who along with his cousin Abdul Wahid Khan was the founder of the Kirana Gharana school of Hindustani music. In 1936, Rambhau Kundgolkar (alias Sawai Gandharva), a native of Dharwad,   accepted the boy as a disciple  and joshi  stayed Gurukul style at the residence of his Guru Savai Gandharva Maharaj to learn music..

                     Bhimsen joshi,  performed all over the world and his repertoire of singing was well appreciated by all music lovers. His speciality was   the khayal form of singing, and Joshiji was appreciated as well as for his popular renditions of devotional music (bhajans and abhangs). He was the most recent recipient of the Bharat Ratna, India's highest civilian honour. Four other musicians who have received this are M.S. Subbalaxmi, Lata Mangeshkar, sitar maestro Ravishanker and Shehnai maestro Bismillah Khan.

                   Joshi ji first performed live in 1941 at the age 19. His debut album, containing a few devotional songs in Kannada and Hindi, was released by HMV,the next year in 1942. When he was 22, HMV released his first recording of bhajans. It was a success, and he went on to make many more.  Later Joshi moved to Mumbai  in 1943 and worked as a radio artist. His performance at a concert in 1946 to celebrate his guru Sawai Gandharva's 60th birthday won him accolades both from the audience and his guru.          

                    Bhimsen Joshi's music was hailed by both the critics and the masses. The Hindu, in an article written after he was awarded the Bharat Ratna, said:” Bhimsen Joshi was ever the wanderer, engendering brilliant phrases and tans more intuitively than through deliberation”.  Joshi occasionally employed the use of sargam and tihaais, and often sang traditional compositions of the Kirana gharana. His music often injected surprising and sudden turns of phrase, for example through the unexpected use of boltaans. Over the years, his repertoire tended to favor a relatively small number of complex and serious ragas; However, he remained one of the most prolific exponent of Hindustani classical music.   

                     Some of Joshi's more popular ragas include Shuddha Kalyan, Miyan Ki Todi, Puriya Dhanashri, Multani, Bhimpalasi, Darbari, and Ramkali. He was considered a purist and has not dabbled in experimental forms of music, except for a well-known series of Jugalbandi recordings with the Carnatic singer M. Balamuralikrishna. When asked about the present gener of singers he said there are too many singers now and very intelligent ones too but their singing did not touch your heart.  Joshi was most acclaimed for his Kannada, Hindi and Marathi Bhajan singing. His commercially successful CDs Daaswani and Enna Paliso included Kannada Bhajans, and Santawani included Marathi Abhangs.

                        Bhimsen Joshi was known for his powerful voice, amazing breath control, musical sensibility and grasp of the fundamentals, representing a subtle fusion of intelligence and passion that imparted life and excitement to his music. A classicist by training and temperament, Pandit Bhimsen Joshi was renowned for having evolved an approach that sought to achieve a balance between what may be termed as "traditional values and mass-culture tastes" and as such he went on to have supposedly the largest commercially recorded repertoire in Hindustani vocal music.. Yet there was always the possibility of something stylistically unexpected or joyously wayward emerging during a recital.

                        Though by birth a Brahmin, he was anti-elitist and believed that classical music belonged to all the.castes, religions and classes of India. After a big concert break in January 1946, his star rose, especially thanks to his command of the khyal song style. As Sheila Dhar wrote in Raga 'n' Josh (2005), audiences "simply worshipped" him. However, Joshi was not exclusively a classical performer. He sang for films. One, Ankahee (1985), had particular resonance; it won ;him a national award for singing.its plot hinged on the source of his surname – jyotishi, a practitioner of jyotish, or astrology. Recognised as a completely intuitive musician, he never played to the gallery. It was his ability to become immersed in his music His art transcended the fineries of Gharana.

                              His became a style of his own. To a majority of lovers of Khyal music his voice, his singing style  became the benchmark by which they informed their musical sensibilities. A rare Maestro who had no ego, no tantrums, just a lot of quiet dignity, a man of simple needs and no demands! He was at peace with his achievements and his craft, in tha, he did not seek any approvals, any awards. Even during his performances, at the end of each item, he would not wait for the applause to die down before he would move on into the start of his next rendering - so un-preoccupied he was with his own ego. Once when barely 100 people turned up at a busy week day concert of his in London, responding to an apologetic promoter he simply said it did not matter to him if there were 10, 100 or a 1,000 people in his audience. He would be still giving them his utmost! He would not be affected or offended by the size of his audience.

                   There is an incident worth mentioning . He was to sing for the movie Basant Bahar and have a dual with Mannadey. Mannadey was overwhelmed by the occasion. Sing with the great panditji and also the story demanded that he outsing panditji in the dual where the character playing panditji’s role accepts defeat. This was unthinkable for Mannadey . but then panditji  gave him confidence , “we will work it out somehow and if I have to lose then I will have to lose.” Later it seems panditji  patted Mannadey on the back and appreciated his singing. “panditji is awesome. His range of voice is unbelievable. I did try to emulate his style of singing but would soon become breathless. It has to be god given and nothing else. “

A similar thing was  to happen later but in the reverse. For the movie Padosan , Mannadey had a classical dual with kishorekumar and is supposed to lose in the script. This was not acceptable to Mannadey to lose to Kishore in classical singing . and it required much persuasion on the part of Panchamda and the producer Mehmood to convince mannadey to lose .

We all mourn the great loss to Indian music by passing away of Padmashri, padmabhushan, Padmavibushan ,Bharat Ratna adorned Maestro Panditji.

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I was going through the profit and loss accounts of 2011 and the most vital lossto the nation  was that of the maestro Bhimsen joshi, the more than great kannadiga born vocalist . Made literally a household name after his “Mile sur mera tumara”,  Panditji has sang prodigiously for Hindustani music. Where I go to buy my cassettes  there are rows and rows of panditji’s cassettes on every conceivable raga. Belonging to kirana Gharana, this student of Savai Gandharva Maharaj  was beloved of the music aficionado. As a child, music had such a magnetic pull over him that a 'bhajan singing' procession or just 'azaan' from a nearby mosque was said to draw him out of house.  In 1933 When  11-year-old Joshi left Dharwad for Bijapur to find a master. Recognizing an early urge for the love of music he ran off to Gwalior in search of a Guru to  learn under. In his quest to finding his true vocation he did various chores like singing Bhajans to fellow passengers and to the ticket collector to pay his travel money to Gwalior.

                       Bhimsen's guru Sawai Gandharva was the chief disciple of Abdul Karim Khan, who along with his cousin Abdul Wahid Khan was the founder of the Kirana Gharana school of Hindustani music. In 1936, Rambhau Kundgolkar (alias Sawai Gandharva), a native of Dharwad,   accepted the boy as a disciple  and joshi  stayed Gurukul style at the residence of his Guru Savai Gandharva Maharaj to learn music..

                     Bhimsen joshi,  performed all over the world and his repertoire of singing was well appreciated by all music lovers. His speciality was   the khayal form of singing, and Joshiji was appreciated as well as for his popular renditions of devotional music (bhajans and abhangs). He was the most recent recipient of the Bharat Ratna, India's highest civilian honour. Four other musicians who have received this are M.S. Subbalaxmi, Lata Mangeshkar, sitar maestro Ravishanker and Shehnai maestro Bismillah Khan.

                   Joshi ji first performed live in 1941 at the age 19. His debut album, containing a few devotional songs in Kannada and Hindi, was released by HMV,the next year in 1942. When he was 22, HMV released his first recording of bhajans. It was a success, and he went on to make many more.  Later Joshi moved to Mumbai  in 1943 and worked as a radio artist. His performance at a concert in 1946 to celebrate his guru Sawai Gandharva's 60th birthday won him accolades both from the audience and his guru.          

                    Bhimsen Joshi's music was hailed by both the critics and the masses. The Hindu, in an article written after he was awarded the Bharat Ratna, said:” Bhimsen Joshi was ever the wanderer, engendering brilliant phrases and tans more intuitively than through deliberation”.  Joshi occasionally employed the use of sargam and tihaais, and often sang traditional compositions of the Kirana gharana. His music often injected surprising and sudden turns of phrase, for example through the unexpected use of boltaans. Over the years, his repertoire tended to favor a relatively small number of complex and serious ragas; However, he remained one of the most prolific exponent of Hindustani classical music.   

                     Some of Joshi's more popular ragas include Shuddha Kalyan, Miyan Ki Todi, Puriya Dhanashri, Multani, Bhimpalasi, Darbari, and Ramkali. He was considered a purist and has not dabbled in experimental forms of music, except for a well-known series of Jugalbandi recordings with the Carnatic singer M. Balamuralikrishna. When asked about the present gener of singers he said there are too many singers now and very intelligent ones too but their singing did not touch your heart.  Joshi was most acclaimed for his Kannada, Hindi and Marathi Bhajan singing. His commercially successful CDs Daaswani and Enna Paliso included Kannada Bhajans, and Santawani included Marathi Abhangs.

                        Bhimsen Joshi was known for his powerful voice, amazing breath control, musical sensibility and grasp of the fundamentals, representing a subtle fusion of intelligence and passion that imparted life and excitement to his music. A classicist by training and temperament, Pandit Bhimsen Joshi was renowned for having evolved an approach that sought to achieve a balance between what may be termed as "traditional values and mass-culture tastes" and as such he went on to have supposedly the largest commercially recorded repertoire in Hindustani vocal music.. Yet there was always the possibility of something stylistically unexpected or joyously wayward emerging during a recital.

                        Though by birth a Brahmin, he was anti-elitist and believed that classical music belonged to all the.castes, religions and classes of India. After a big concert break in January 1946, his star rose, especially thanks to his command of the khyal song style. As Sheila Dhar wrote in Raga 'n' Josh (2005), audiences "simply worshipped" him. However, Joshi was not exclusively a classical performer. He sang for films. One, Ankahee (1985), had particular resonance; it won ;him a national award for singing.its plot hinged on the source of his surname – jyotishi, a practitioner of jyotish, or astrology. Recognised as a completely intuitive musician, he never played to the gallery. It was his ability to become immersed in his music His art transcended the fineries of Gharana.

                              His became a style of his own. To a majority of lovers of Khyal music his voice, his singing style  became the benchmark by which they informed their musical sensibilities. A rare Maestro who had no ego, no tantrums, just a lot of quiet dignity, a man of simple needs and no demands! He was at peace with his achievements and his craft, in tha, he did not seek any approvals, any awards. Even during his performances, at the end of each item, he would not wait for the applause to die down before he would move on into the start of his next rendering - so un-preoccupied he was with his own ego. Once when barely 100 people turned up at a busy week day concert of his in London, responding to an apologetic promoter he simply said it did not matter to him if there were 10, 100 or a 1,000 people in his audience. He would be still giving them his utmost! He would not be affected or offended by the size of his audience.

                   There is an incident worth mentioning . He was to sing for the movie Basant Bahar and have a dual with Mannadey. Mannadey was overwhelmed by the occasion. Sing with the great panditji and also the story demanded that he outsing panditji in the dual where the character playing panditji’s role accepts defeat. This was unthinkable for Mannadey . but then panditji  gave him confidence , “we will work it out somehow and if I have to lose then I will have to lose.” Later it seems panditji  patted Mannadey on the back and appreciated his singing. “panditji is awesome. His range of voice is unbelievable. I did try to emulate his style of singing but would soon become breathless. It has to be god given and nothing else. “

A similar thing was  to happen later but in the reverse. For the movie Padosan , Mannadey had a classical dual with kishorekumar and is supposed to lose in the script. This was not acceptable to Mannadey to lose to Kishore in classical singing . and it required much persuasion on the part of Panchamda and the producer Mehmood to convince mannadey to lose .

We all mourn the great loss to Indian music by passing away of Padmashri, padmabhushan, Padmavibushan ,Bharat Ratna adorned Maestro Panditji.

Here lies the truth by IVPentothal

My wife Ether as she usually is, is very encouraging “Tut Tut
what nonsensical title is this?.Here lies the truth. It is an
 antithesis as your whole life has been so far. At least you
 should have consulted my mother who is an English teacher 
before this Hanumanic jump to this meaningless title. I can
 assure you of one thing no erudite lady will ever even glance 
at your article with a title like this. How can truth lie? How
 can a boy be a girl? How can a night be day? How can white be
 black? And remember it is the ladies who read such meaningless
 columns whatever the reason. So, the first thing to do is to
 retract.  Say I am extremely sorry to the readers .Tell them 
that your MIL who is an eminent English professor has made you
 see reason and told you to alter the header. How do I know what
 title to add now. Follow what Hemingway did choose your title 
from Bible or even your Bhagwad Gita. “ 
Whatever wavering I had experienced regarding
 the suitability or otherwise of the title disappeared once I 
was certain that my wife and esp my MIL thoroughly dispproved 
of the title. It must be really good to get such raving reviews.
 Now that part is settled to everyone’s satisfaction I must plan
 the content of my columns. Now you might say how can you call 
it settled when my bitterhalf  is quite bitter about it. I am 
one of those who leave avenues for my wife to carp about. Now
 she and her mother have a lifetime to talk about . If my column

turn out to be a failure as they expect, they could say we told
 you so. And contrary to all their expectations if  it succeeds
 they can say we were checking on your resolve and knew all the
 time that if we criticize you will adhere to the wonderful 
title suggested by my mother.
“And my mother says you should research before you put the pen 
to the paper. You should be very clear whether it is the apple 
or the cherry or the peach tree that Washington jr cut. So for 
once as a favour to you as this is your maiden attempt at 
writing my mother has agreed to let you know from her treasury
 of knowledge that it was the apple tree which was cut. This 
wasthe same tree from which the apple fell on his head and 
Washington discovered the law of gravity. 
Don’t please don’t ever think of contesing this , If my MIL 
says Washington discovered o r even invented Gravity, leave 
it at that. She will refuse to entertain any other notion or
 if she is in a condescending mood she might accept that
 someone with …… ton discovered G for all she cares.
Could be Newton, Washington or even Princeton – the latter, 
in fact  is a place in British Columbia, where a close bridge
 friend stays. I play a lot of internet bridge and have many 
international friends and have found the Canadians to be full
 of warmth and love when compared to others who are also 
friendly but a little arrogant. Please note the fact that most
 of these are ladies as ladies outnumber the gents among bridge
 players and playing regularly with them they become  your 
friends.

Here lies the truth by IVPentothal

Honesty is the best policy
I was in 8th std then,it was our first CA class, None of us knew
 what CA meant, but we were supposed to talk on
 this topic, and funnilly none of us really knew the terms
honest ther. Not that we understand
 the terms in depth now but we are better acquainted with the
ramifications now than
 what we knew then,  We did have
 some of us talking on it, about it, and around it. I cannot now

 recall exactly what we talked about. But our teacher
 was n’t really unhappy about it, So it seemed okay.
I think we must  have talked about
 Harischandra the honest king, George Washington and the
woodcutter who lost his wood handled axe in the river. May be
 we just went blah blah about the need to be honest
 in all matters of life.”Honesty being the best policy” was
then considered to be an inviolate thing, not to be
talked of otherwise.
Now over years I have gained valuable inputs
 into these things the meaning of which were not very
 clear in those formative years. So today “Honesty” packs a
lot of punch and one is clear about its usage. It is of
 course very personal what meaning you attribute to it.
Let us take the case of Washington who had cut
a tree whether an apple tree or  a cherry tree or a
 peach tree is irrelevent, but the fact remains that it is
against all environmental safety measures and the perpetrator

 who ever it is would come under the scrutiny of law and I am
sure that George’s father would not be very keen for his
son to own up what he did though it might catapult him into
eternal fame as an honest youth. If it was in India the
 Muncipal Authorities would be at your door with all
embarrassing questions thereby sidelining honesty into a bylane.

 In this context it would be interesting to discuss a one act
play written and directed by Kader Khan for an inter
collegiate competition which won him an award after years of
 waiting”Badi dher kar dhee meherban aathe aathe”
 (The benefactor took a lot of time to arrive).It is about a
man trapped under a fallen tree who could not be
rescued in time because of all the red tapism and environmental
 issues involved in the  cutting of the already
fallen tree.
More about this in my regular column”Here lies
the truth” by IVPentothal.

FBI vs FDI and my MIL

“Pento! I have a serious problem at hand. Mother has not been sleeping well of late .( This was sort of good news for me for a sleepy MIL should not be as dangerous a threat to my normal existence as a constantly alert one) Nevertheless I had to be chivalrous, and  I had to show the right thing, “what happened” I asked bringing up all my kindish compassionate looks, “She says she is haunted by the FBI”. That was news for me . Well, I  was surprised because usually it would not interfere in such a matter as this which looks purely an internalised internal matter. Well, she had her 2 sons there but they were in good jobs and were rather lambs, so I would not expect any trouble from that quarters. So where lay the problem? I raised the issue with my wife, Ether…I told her in India we might have trouble with the CBI and never with the FBI whatever mischief your mother was upto. And even your mother would not go to that extreme.

“she is not worried for herself but for our Mamu-he is our local bania- “ That left me wondering whether our bania has done some questionable dealings and confided in my MIL . Couldn’t imagine what it should be to attract the CBI mistakenly identified by my MIL as FBI.  “she is even scared of looking at the papers nowadays, it is full of FBI.”And surprisingly I had not read anything about FBI in any of the papers I read and I read quite a number of papers on Internet. Then Ether let the cat out of the bag, “ you think Walmart or Kroger or Carrefour would herald the doom of our old bania system?”

So it was not FBI after all but FDI which was the cause for my MIL’s headache. She was worried about her old bania – the Mamu who knew her whole family upside down for about 3 generations. So I went on to give a lecture to my wife about FDI. I reminded  her about the fears expressed by the vegetable and fruit sellers when Reliance fresh first came into the market and how after some initial setback they all had got stabilized and found their fears were unfounded. They were later found to be doing good business  as in old days inspite of Reliance fresh offering fresher vegetables and fruits.I also explained to her the benefits of FDI to a country like ours…and what it meant to us as consumers and to our farmers the producers… From what I had garnered FDI would do us more good than bad. The farmers would probably get what is due without the middle men eating into their efforts. And the consumers that is us, will get the produce at a reasonable price in much greater variety and without much damage  because of better storage and transport facilities. And there would be lots of jobs available, about 10million is the projected figure,  for the ones that are lost due to closure of some inefficient  retail outlets. FDI in retail segments have the potential to push India’s real GDP in double digit growth trajectory in the next four years is another projection. And these giants cannot cover the nook and corner of India, may be some urban cities and that too prominent locations. So our Mamu and your dear mother need not keep awake  at night worrying about it all. Instead she can use those hours more fruitfully thinking better and newer ways of harassing me..That closed the little affair of FBI and my MIL.           

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The end of an era

Devanand, the evergreen hero and romantic is no more. And when it is said that this leaves a void not easily filled,  it is simply not a cliché. Who else ruled the roost for more than 60 years acting and producing films? In his career spanning 6 decades he has produced 31 films and directed 19. He has acted in more than a 100 films. An actor  considered a chocolate hero, he had this penchant for nodding his head now and then, a mannerism I think, afterwards picked by the later arrival, superstar Rajesh Khanna.

                         Here he comes, Dev in almost a slothful way with a swaggering shuffle both his hands held by the side, flaccidly swinging, lifeless as though, with almost a languid expression on his face, clad in black with the sleeves of the pullover rolled back on his full sleeves, singing “khoya Khoya chand” down the slope as if he is about to fall forward.. Who can ever forget this scene if you have seen it once. Wearing loose clothes with a “Fuggga”hair style –buffed up tress in front , with frequent nods of head and his staccato speech he was and is  often a target of the mime artists.

                     He is not a great histrionic actor like our Dilipkumar and cannot perhaps cry on the screen like him , Sanjeevkumar, Sunil Dutt or even Big B but he could carry the sad role well with other props as seen in the songs “Kya se kya ho gaya” and “Din dal jaye “ “Kabhie Kudpe kabhie halath pe rona aaya”.

                   Devanand, called as the Gregory Peck of Hollywood was a charming personality with pleasing looks with a boyish charm and quote innocent mannerisms. A literature graduate, in his early career days he was in love with the actor singing sensation Suraiys whom he saved from drowning during a shooting accident but there was opposition from Suraiya’s family and the marriage did not take place. He later married his next co star Kalpana Kartik who was his wife till he died last week. He had in between fallen in love with his find Zeenat Aman as written in his autobiography romancing with life, which did not proceed beyond that. I am sure he must have been a heart throb for many die hard females during his active hero days,  

`                  He was lucky to have a brother in Goldie or Vijayanand to direct some of his wonderful films like Guide, Tere Mere Sapne, Johny Mera Nam, and Jewel thief. All very successful and acclaimed movies. Goldie was a magician in picturisation. Who can  forget the romance, love and the closeness of the a married couple as shown in the songs “Maine kasam lee” and “Jeevan ki bhagiya mahkegi”” from Tere Mere Sapne by Goldie?. The picturisation of the song “Aaj phir jeeneki tamanna hai” is a classic by itself with abundant “joie de vivre”  capturing your heart and soul and therefore unforgettable. The same Goldie added some fun in the shooting of the songs “Oh oh mere raja” and “ Pal bhar ke liye” from ‘Johny mera naam’ and showed a different  attribute in the dance “Husne ke lakhon rang” of Padma Khanna showing his versatility in song picturisation . Devanand was a thinker ahead of his times. In ‘Tere Mere Sapne’ he tackled the delicate subject of corruption in medical community much ahead of his time. In ‘Guide’ he had a married woman romancing outside wedlock.. In’ Hare rama Hare Krishna’ he tackled the hippy cult which was in vogue then. He played the role of a reluctant brother in “Bombai ka Babu”, a reluctant forced to be a saint in “Guide” and a doctor caught in the commercial world in “Tere Mere Sapne”.

He was also politically active and formed a party and protested against the imposition of emergency. He was a true democrat and gave openings to many  budding stars. As he says in Hum dono I am in search of a place beyond the ravages of joy and sorrow. And ultimately he has gone there leaving us a little sadder and the sequel to ‘Hare rama Hare Krishna’. remaining only a pipe dream.

To mention a few awards won by him : Filmfare best actor award for “Kala pani” and “Guide”, Dadasaheb Phalke Award for his contribution to hindi films and life time achievement award in 1991.

Forced fasting for the Lokpal Bill

Here lies the truth.....IVPentothal

“Just be ready” warned my wife. I said “Ready for what?”

” Anna is starting his fast again”.  “So what has that got to do with me?”

 “Well! we have decided that this time you can’t shirk your responsiblilty” .
“what do you mean?” I asked perplexed,

“We have decided that you will also go on fast with him whether or not the rest of the world goes on  fast or not .And we have taken  positive steps in that direction.”

This sounded ominous and I thought it  better to nip it in the bud .

            “Let it be very clear my dear wife. I love my lifestyle and that includes my eating also. I am my own boss and nobody else is going to decide whether I will go on fast or not, Anna or no Anna.”

“ My dear Pento! the decision has already been taken and you are outvoted. I voted for you to go on fast and my mother has cast her casting vote in its favour.”

 “Now I realized how Nawab of Pataudi must have felt when he was ousted from the 1971 West Indies tour by the casting vote of the then Chairman of BCCI Mr Vijay Merchant.”

 “So my dear hubby, no further discussion on that matter;  But we have decided to be kind to you and have decided to let you have fast food on the first three days.”

 “(Not bad, I thought but better to clarify) Fast food!  what do you mean?”  

“In Maharashtra certain foods are legitimately allowed on “Upvas” (fasting) days, it is called fast food or fasting food. So we have ordered lots of Sabudana (sago rice), for, sabudana kichdi and vada are fasting food, so also boiled peanuts, finger chips and lots of sweet potatoes . I think some ‘fasters’ even allow milk and bananas, may be, but I feel you should not have salt, that is going  against the spirit of fasting,”.

By this time my protest had just become a whimper for I knew there was no use protesting.

            “After the third day you will go on GM diet. It is almost like fasting and you are bound  to lose some of your puppy fat.” "This GM diet was formulated for the GM employees. Here you start on a fruit diet on 1^st day eating only fruits , no bananas and no salt , it is advised to take plenty of watermelon as much as you can eat the whole day. And all other fruits. On 2^nd day you have  raw vegetables that is only salads, here also no salt but you can have as much as you can, cucumber, radish, carrot, beetroot, etc . You may start your day with  one medium sized baked potato with butter  on top. 3^rd day you have a combination of fruits and vegetables. Then there is soup day, beef day and red rice day . You are supposed to lose as much as 6 Kgs in one week. This might give others the impression that you are indeed fasting."

Well, that is that, a forced fasting and diet for the sake of others. And so I become a martyr for the Lok pal bill which I doubt whether any of those who are blindly following Anna know what it really signifies?

 Let us now peek into the Lok Sabha to see how our lady Lokpal Bill is performing?  She is not young any more , going on 48 and things aren’t going to be easy for her. She is not in her best appearance and will have a tough time to pass muster the way she has been decked up. Even Anna her best protagonist is not at all happy the way she is to be presented in her current looks. This was no Miss India contest. There was no swim suit round or 'Evening dress' round. No question answer round , and no high profile celebrity judges. She was to be judged by the people who did not really want her but was forced by Anna and the sentiments of the people. So we will keep our fingers crossed. We will deal with it another time. Adieu for the time being.